Okay, before we start today's post, I want to remind all of you that I'll be at the Sunridge Chapters in Calgary, Alberta for a signing on Sunday, June 9th, from noon to 3pm. Come in, pick up a signed copy of the book, or let me know what you enjoyed most about the book! I'd love to see all of you out there! With that out of the way, today is our final post on the religion of the Sian Ku. We'll discuss symbols and then move on to their calendar, holy days and rituals.
The symbol
which the people consider the holiest is a three-tongued flame surrounded by
ten interlocking animals; the dragon, the rat, the turtle, the koi, the
crane, the fox, the kirin(an Asian mythological creature, usually compared to
the western unicorn, with the body of a deer, the cloven hooves of a goat, the
scales of a dragon and the whiskers of a fish. Its horns are usually deerlike
as well, and while they are sometimes drawn with a single horn they are just as
often drawn with two or more. This artist is amazing and their picture is exactly what the ones in my world look like, though in Japan they look a lot more dragonish), the Phoenix, the tiger, and the
fairy pitta (a type of bird known as the eight-coloured bird Japan. Beautiful, ne?). Lesser symbols are a knife blade (usually made
of obsidian) and the symbol of a waxing crescent moon.
Koi Image by Анна Куликова from Pixabay |
Sian Ku’s calendar
is set according to the lunar cycle, though Himiko and the other Sian Ku in
Hidan only use it for rituals, having converted to the one the Drevens use, a
mythic cycle created using the heroes of each age as a guideline. There are
nine holy days in a calendar year that are celebrated by everyone and three
ritual days that are personal to the family. Five of those celebrated by all focus
on past revelations and stories of the deities associated with them. The
remaining four commemorate astronomical events that happen yearly, and the
birthdays of the current rulers of Sian Ku. The last three are done to
celebrate all the members of the family in the past year; those who are alive,
those who are dead and a personal birthday.
Holy days
are often celebrated by raucous parades and half somber praying followed by games
of chance being played in the streets (cards, of course, but also dice, and
games you might see played at fair or festival in Japan, like throwing hoops at
bottles or catching goldfish with paper hoops), food and ostentatious
gift-giving. The more extravagant a gift, the more it is supposed to be
appreciated. To clarify, the gift doesn't have to be expensive by any means.
However, it should be large, many or impressive.
One
memorable gift that is still spoken of in shocked whispers was the gift of
eight hundred of the most beautiful women in the country wearing nothing but
jewels and smiles, given to a recent Empress by her (supposedly blessed) female
consort.
While holy celebrations
are raucous events that show little solemnity except by the clergy or when anyone
else is giving the kami or rulers their justly due respect, the rituals of
family include fasting, meditation and sometimes the preparation of objects to
be laid out in ritual (usually for the ancestors). Aside from music, played by
a member of the family, rituals are silent, usually taking place in the home.
The highest
forms of art are writing, papermaking, and more rarely, wood carving and all
noble-born in Sian Ku learn at least one of these arts. For Himiko and
Kuzunoha, while a high emphasis was placed on writing, neither particularly
enjoyed the art. Himiko did take a liking to the Dreven preferences of music
and song, a preference her father accepted. All of Kuzunoha’s preferred “arts”
were considered unacceptable for one reason or another.
The only
thing left to talk about is the afterlife. The Sian Ku believe that when one
finally dies, they are judged and spend a period of timelessness atoning for any
sins they committed. Once finished, it is believed that you will spend the rest
of eternity devoted to your descendants.
There is
one out from this future. A select few
return; those re-birthed are outed when at puberty, they become eleden. Such
people are considered to have fallen from a place of grace, having abandoned
their familiar duty to return to the land of the living. Some continue to watch
over their new family for generations, though from afar since they are usually spurned
by their families.
One day, I
would like to hire an artist to make the holy symbol of the Sian Ku for me…
most likely an expense for a future book, maybe book three when we get to see a
lot more of the religion as it applies to the characters. What do you find most interesting about the
Sian Ku religion? Let me know in the comments below.
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